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Touching the ground – how?

For the past couple of years I’ve been proudly cultivating a theory of architecture and sustainability which I believed bridged all of the gaps between my various interests in the field and which could usher in a truly new way of seeing things to unite designers, engineers, and the inhabitant. In essence, it espouses physical closeness to nature and celebrates common building systems which mediate the relationship between natural resources and dwelling, all in order to elevate the status of ‘sustainability’ in our consciousness. One basic example that follows this instruction is a green roof, since conceptually, moving the ground that would be displaced by the building footprint up to the roof preserves the total surface area of the ground (if viewed from above, a house with a green roof would blend in with its surroundings). Another variation of this example is earth-sheltering, where instead the building itself is partially sunk into the ground to take advantage of the earth’s high R-value. Both of these approaches force the designer and builder to consider what they are displacing, and continuously strive for balance and homeostasis as nature does.

The Centre Pompidou in Paris does this as well, embracing the building’s lifeblood and turning it out for all to see. When we learned about this building in architecture school the upshot (to be memorized for the final exam) was that it’s the apotheosis of postmodernism, which may be true, but it’s much more than that. In light of the sustainability struggle, the Centre Pompidou takes the important first step of bringing us in direct contact with the elements that flow within the earth itself: water, gas, electricity. Forcing us to confront these elements directly will hopefully lead us to value them more– so rather than shoving them out of sight, we put the space allotted for them on equal ground with the space allotted for us. All this serves to bind our fate as a species with the fate of the planet. Therein, my core principle of what it is to be human.

Image via centrepompidou.fr.
Jacobs House II; Frank Lloyd Wright; 1948; the berm on the right side of the photo is evidence of earth sheltering. Image via columbia.edu.
A temazcal, the traditional bathhouse of the Pre-Columbian people of Mesoamerica. These were typically designed as domes or small hills with very low ceilings. Inside was pitch dark. Entering a temazcal is symbolic of going underground into the core of the Earth, of burial and rebirth, and of a mother’s womb. Inside, one chants to the god Mother Earth. — Particularly after the arrival of the Spanish and the persecution and destruction of the indigenous population and their traditions, temazcals had to be built quickly and surreptitiously, often being half-buried in the ground to avoid being identified. Image credit snordq, via Flickr, license CC BY 2.0.

But in April in Mexico I picked up a book of Buckminster Fuller’s lectures, and my mind was changed. There are other ways to be sustainable– in fact, there are situations in which the act of ‘digging in’ and immersing oneself into the earth does more harm than good. In those situations, one has to do the opposite. Instead of assuming that he needs to directly contact the earth to dwell in it, Fuller instead is interested in “touching the earth lightly,” floating above it, creating space between us and it (like the inevitable gaps you get when you fill a jar with marbles). In Fuller’s worldview, the next stage of human evolution will discard the old violent instinct of displacing earth in place for a more aerodynamic lifestyle, controlled by those invisible forces that we’ve learned to manipulate like magnetism and gravity, closer resembling the greater cosmos itself. He also predicts we will have prefabricated houses installed by helicopter and that our resources to be used for the benefit of 100% of mankind.

And what follows that? The cosmos, naturally. Buckminster Fuller sees no reason why humans shouldn’t begin inhabiting other planets once technology allows it. He is binding humanity to scales both atomic and cosmic.

Buckminster Fuller, “World industrialization graph 1952-2000,” 1952, reproduced in The Dymaxion World of Buckminster Fuller (1973). Image via e-flux.
Buckmister Fuller’s done home in Carbondale, IL. Image via architectmagazine.com.

I mentioned this flip in my mind to Justin, and he said that his structural engineering firm is becoming more and more interested lately in design for disaster relief. He traveled to Kathmandu shortly after the earthquake in 2015 and was struck by how the overwhelming majority of houses were built of unreinforced masonry (practically the worst construction type to resist the lateral forces of earthquakes). Simply switching to lighter timber frames with moment connections would make the population a degree of magnitude more resilient. Furthermore, if an when a disaster does strike, the first thing most relief organizations do is air-drop food and shelter. Touching the earth lightly suddenly becomes a most valuable asset. I’m unsure if Buckminster Fuller specifically had disaster relief in mind, but it’s certainly becoming a reality for a wider and wider range of people than ever. Geodesic relief domes, delivered by helicopter, assembled in two hours by two people, may by necessity become the dwelling place of the future.

Garrison Architects; NYC Emergency Housing Prototype. As visible in the photo, the entire house sits on small concrete spot footings, as minimally invasive to the ground as possible. Image via Designboom.com.
A Geodesic Dome being transported by helicopter. Image via smithsonianmag.com.
Assmebling a Geodesic Dome. Image via phaidon.com.

By the.vonz.himanen

Ivan Himanen is an architect, urbanist, and researcher based in New York City.

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